SLEEK. STUNNING. STELLAR.
The All-in-One mc²36
The new mc²36 illustrates Lawo’s desire to shrink the console footprint in every way possible, while relentlessly upping its feature set. This proud member of Lawo’s tremendously successful mc²-series of control surfaces not only adopts a large chunk of an acclaimed feature set, it completely redefines what a compact mixing console for theater, houses of worship, corporate, live and broadcast audio applications must deliver.
An all-in-one console at heart, the new mc²36 is sleeker than its predecessor but boasts double the number of DSP channels, both at 48kHz and 96kHz. It delivers the same superb convenience as its larger siblings: all industry-standard audio inputs and outputs are built-in, with native IP connectivity at its center.
Powered by Lawo’s A__UHD Core software-defined processing technology, this console delivers all the incredible flexibility offered by IP technology — but with intuitive tools that make setup and management as simple as in baseband days. The console is fully geared to handle any kind of remote application and provides easy deployment for on-site scenarios, including effortless point-to-point connectivity for A__stage IP stageboxes.
Meet an IP native that combines the power of Lawo’s A__UHD Core with its unrivaled sound processing quality, local I/O featuring Lawo-grade microphone pre-amps, and the most compact mc² console surface ever built.
Operators looking for an identical footprint combined with streamlined, resource-sharing, enterprise-wide workflow integration with mc²56 and mc²96 consoles as well as a single, external, A__UHD Core might be more interested in the »mc²36 xp.
SMALL FOOTPRINT — BIG PERFORMANCE.
mc²36 OVERVIEW
All-in-one console powered by A__UHD Core technology
864 channels I/O capacity
Built-in I/O, Lawo-grade mic pre-amps
48 & 96kHz
operation
Frames with 16, 32 and 48 faders
HOME/IP Easy – IP setup as simple as analog
256 DSP channels
Native support for all relevant IP standards
ENHANCED COLOR GRADING
In addition to Button-Glow and colored touch-sensitive encoders, new color-TFTs allow for an even more obvious color-coding of the channel strips, resulting in enhanced visibility and faster access even in low light conditions.
THE POWER OF DENSITY
It’s the most compact mc² console ever built, but the new mc²36 doesn’t compromise on any of its family’s renowned qualities. It pairs outstanding audio quality with Lawo’s highly acclaimed reliability and ease of use – at a footprint small enough for even the narrowest niche. Starting with a width of only 765 mm for the 16-fader OB Truck version, this console is the perfect fit for any installation that demands high performance in a limited space. Even the OB Truck 48-fader model is only 1275 mm wide.
HIGH PERFORMANCE FADERS
The new mc²36 features the same dust-proof long-life performance faders as the mc²56, providing smooth and precise fades for a lifetime.
OVERBRIDGE
CUSTOMIZABLE OVERBRIDGE VIEWS
The console’s overbridge can be adapted to your requirements by adjusting the channel display accordingly – just choose and display those parameters that are important and hide any unnecessary or distracting elements. The metering shows all fader Ievels permanently on the HD display. ln addition, multi-row metering allows for permanent metering of signals from other layers or banks.
REMOTE DESKTOP
Lawo’s integrated Remote Desktop function allows seamless integration into the console’s user interface of multiple external PCs running third-party solutions. With the switch of a button, the external PC and its software applications are displayed in the console’s screen while the console’s keyboard, touchpad and touchscreen provide control. The seamless integration of external recording systems, effect engines, or other user interfaces, means less equipment – and the engineer has control over the complete set-up, conveniently from a single, central position.
INTEGRATED LOUDNESS METERING
Originally requested for broadcast applications, Lawo has developed built-in loudness metering into a tool that is useful also in live, theater and house of worship applications. The feature provides full loudness control in accordance with ITU 1770 (EBU/R128 or ATSC/ A85) and features peak and loudness metering either separately or in combination. ln addition to the sums, Lawo Loudness Metering can also measure individual channels, which allows fast and convenient “visual” mixing for things like background singers or multiplemicrophone setups for brass sections, strings and choirs.
CONNECTIVITY
LOW-NOISE DESIGN
The console is optimized for low power consumption, which allows the use of inaudible, low-spinning fans for cooling. This is especially important in environments such as quiet control rooms, where fan noise is obtrusive.
COMPREHENSIVE ONBOARD I/O
The mc²36’s comprehensive local I/O features 16 Lawo-grade Mic/Line inputs, 16 Line outputs, 8 AES3 inputs and outputs, 8 GPIOs plus a local MADI port based on SFP.
HOME
Being an IP-native device based on A__UHD Core, the mc²36 includes Lawo’s HOME functionality which makes any IP setup as simple as analog. The console automatically detects devices and makes them available at the push of a button. Device management includes all required security features such as access control and quarantining of unknown devices. HOME is a management platform for IP-based media infrastructures designed to connect, manage and secure all aspects and instances of live production environments.
MODELS
* mc²36-48 available as of Q3/2021
FEATURES
LISTEN SENSE
Lawo’s unique Listen Sense function allows an offline modification of channel parameters like EQ or dynamics. Unnoticed by the audience, a sound engineer can adjust the settings and listen to his result PFL. Once all is set, the engineer can switch the settings online. This allows unnoticeable sound adjustments, e.g. when a live set-up changes with no time for prior EQing of a channel.
AUTOMATED MIXING ASSISTANTS
The mc²36’s automated mixing capabilities include an Automix function that can automatically adjust the Ievels of active and inactive microphones, while maintaining a constant, natural sounding ambient Ievel. This feature provides unique functionality especially in live productions with multiple presenters or performers. Automix can be used for any signals, from mono and stereo to multiple surround channels to minimize background noise and crosstalk with reduced sound coloration. Truncated sentences and late fade-ins are things of the past, enabling the sound engineer to focus on overall balance and sound quality. The console also features a Downmix function and Lawo’s highly acclaimed AMBIT Upmix function, which guarantees perfect conversion of stereo signals into amazingly authentic surround sound using very few parameters. Last but not least, the mc² 36 is set for KICK 2.0, Lawo’s automated close-ball mixing solution for sports such as soccer or hockey.
WAVES® PLUGIN INTEGRATION
The Lawo mc² 36 offers best-in-class integration of Waves SuperRack SoundGrid® servers, providing a solution for extensive real-time signal processing in addition to the console’s internal processing engine. The system gives operators access to Waves’ extensive plug-in selection, allowing them to conveniently control plug-ins like reverbs, multi-tap delays, graphic equalizers or multiband compressors via the console’s keyboard, touch-screen and rotary encoder. No additional screens or control devices are needed, which results in a clean working space and a minimum of external hardware. All plug-in settings can be easily stored and recalled with the console’s snapshot and production files.
FEATURES
AUTOMATED MIXING ASSISTANTS
The mc² 36’s automated mixing capabilities include an Automix function that can automatically adjust the Ievels of active and inactive microphones, while maintaining a constant, natural sounding ambient Ievel. This feature provides unique functionality
especially in live productions with multiple presenters or performers. Automix can be used for any signals, from mono and stereo to multiple surround channels to minimize background noise and crosstalk with reduced sound coloration. Truncated sentences and late fade-ins are things of the past, enabling the sound engineer to focus on overall balance and sound quality. The console also features a Downmix function and Lawo’s highly acclaimed AMBIT Upmix function, which guarantees perfect conversion of stereo signals into amazingly authentic surround sound using very few parameters. Last but not least, the mc² 36 is set for KICK 2.0, Lawo’s automated close-ball mixing solution for sports such as soccer or hockey.
WAVES® PLUGIN INTEGRATION
The Lawo mc² 36 offers best-in-class integration of Waves SuperRack SoundGrid® servers, providing a solution for extensive real-time signal processing in addition to the console’s internal processing engine. The system gives operators access to Waves’ extensive plug-in selection, allowing them to conveniently control plug-ins like reverbs, multi-tap delays, graphic equalizers or multiband compressors via the console’s keyboard, touch-screen and rotary encoder. No additional screens or control devices are needed, which results in a clean working space and a minimum of external hardware. All plug-in settings can be easily stored and recalled with the console’s snapshot and production files.
LISTEN SENSE
Lawo’s unique Listen Sense function allows an offline modification of channel parameters like EQ or dynamics. Unnoticed by the audience, a sound engineer can adjust the settings and listen to his result PFL. Once all is set, the engineer can switch the settings online. This allows unnoticeable sound adjustments, e.g. when a live set-up changes with no time for prior EQing of a channel.
SPECIFICATIONS
CONTROL PANEL
- Frames with 16, 32 and 48 faders (48-fader model with dual-fader section, same footprint as the 32-fader model)
- 6 banks each with 2 layers
- 100mm fader + 1 freely adjustable rotary encoder (mc²36-32) + channel display for each fader with sense-triggered change of module display
- TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment, Mix-Minus, Signal Patching, Meter selection, Automix state
- GUI page output, e.g. metering, on an external monitor
- 10 Central user buttons, 2 Central user encoders, 1 talkback button and 2 fader user buttons with 8 functions each
- Optional: script tray
DIMENSIONS & WEIGHT
16 FADER STUDIO/LIVE VERSION
• Dimensions: 833 x 820 x 380 mm / 32.8” x 32.3” x 15.0”
• Weight: 38 kg / 83.8 lbs
32 FADER STUDIO/LIVE VERSION
• Dimensions: 1343 x 820 x 380 mm / 52.9” x 32.3” x 15.0”
• Weight: 55 kg / 121.3 lbs
48 FADER STUDIO/LIVE VERSION
• Dimensions: 1343 x 820 x 380 mm / 52.9” x 32.3” x 15.0”
• Weight: 55.5 kg / 122.35 lbs
16 FADER OB TRUCK VERSION
• Dimensions: 765 x 821 x 362 mm / 30.1” x 32,3” x 14.3”
• Weight: 39 kg / 86.0 lbs
32 FADER OB TRUCK VERSION
• Dimensions: 1275 x 821 x 362 mm / 50.2” x 32,3” x14.3”
• Weight: 56 kg / 123.5 lbs
48 FADER OB TRUCK VERSION
• Dimensions: 1275 x 821 x 362 mm / 50.2” x 32,3” x 14.3”
• Weight: 56.5 kg / 124.56 lbs
SIGNAL PROCESSING
- 40-bit floating point
- 256 DSP channels (160 inputs and 96 summing buses)
- Up to 160 inputs with A/B input, up to 96 AUX buses, up to 96
groups, up to 96 main sums, 32 Automix groups - Rapid switching of channel and bus to mono/stereo/surround
- Up to 32 surround channels, 128 VCA groups with metering,
256 GP channels - Surround formats: DTS&Dolby® Digital 5.1, Dolby® Pro-logic
4.0, DTS ES& Dolby® EX 6.1, SDDS 7.1, DTS-HD 7.1,diverse
panning characteristics, surround aux bus - 2 AFL: 1 surround 8-channel, 1 stereo
- 2 PFL stereo
- Audio-follow-Video with 128 events, control via Ember+, GPI or
matrix connection, envelope up to 10s fade time - Solo In Place
- Permanent input meter at the fader, adjustable INPUT, PF, AF,
DIROUT, TRACK meter point in channel display - Loudness Metering according to EBU R128 and ATSC
A/85, momentary or short term in every channel, integrated
measurement on sum channels with display of integrated LUFS
value in headline - Modules: INMIX with MS decoder, digital amp, 2-band fully
parametric filter, 4-band fully parametric EQ, 2-band fully
parametric side chain filter, insert, delay up to 1800ms –
switchable units: meters, milliseconds, frames, - 4 independent dynamic modules: expander, gate, compressor
(incl. parallel compression), limiter, image, meter, direct out - AMBIT Upmix, available on every 5.1 channel, fully Downmix
compatible - 32 Automix groups available for mono/stereo/surround
channels with unlimited contributing channels each - Fully-equipped surround channel with coupling of all channel
parameters and hyper-panning
AUDIO HANDLING
WAVES® PLUGIN INTEGRATION
- Waves SuperRack SoundGrid integration with storage of plugin parameters in snapshot and production data
INTERFACES
SYNCHRONIZATION
- Blackburst*, Wordclock, PTP Slave and Grandmaster modes
REDUNDANCY
- PSUs, Network Interfaces (SMPTE ST2022-7 Class C)
CONTROL UNIT
- Global A/B input switching
- Enhanced mix-minus control with independent off-air conference
- Fader control of all level parameters
- Diverse tally and fader start modes
- Program switch
- DAW Machine control
- Audio-follow-Video, up to 128 camera tallies, Ethernet or GPI controlled
- Camera mic remote via GPI or voltage control
REMOTE MAINTENANCE
- Connection via mxGUI remote software
- Software updates, error diagnostics, remote assistance
EXTERNAL CONTROL SYSTEMS
- Remote control of all routing, matrix monitoring units and
channel parameters via Ember+ control protocol - mxGUI: remote control via laptop/tablet PC
- External matrix controllers: Lawo VSM, Evertz Magnum, EVS
Cerebrum, GV Ignite, Ross Overdrive, Vizrt Viz Mosart, Imagine Magellan, BFE KSC, Pharos, and others